Works
Search by category and/or instrument combination
Filter instrument section, single instrument
or specific instrument combination:
Orchestra
for symphony orchestra
2 fl, a.fl, 2 ob, cor.ing, 2 cl, b.cl, 2 fg, c.fg, 4 cor, 3 tr, 3 trb, tb, 3 perc, pno/cel/clav.glsp, hp, str (14.12.10.8.6)
duration: 16’
for symphony orchestra
3 fl, 2 ob, cor.ing, 2 cl, b cl, 2 fg, k.fg, 4 cor, 3 tr, 3 trb, tb, 3 perc, cel, hp, str (16.14.12.10.8)
duration: 13’
for wind orchestra
3 fl, 2 ob, cor ing, 3 cl, b.cl, 2 fg, k.fg, 4 cor, 3 tr, 3 trb, tb, glsp
duration: 10’
version for symphonic band (2006/2022)
3 fl, 2 ob, cor ing, 3 cl, b.cl, fg, As, Ts, Bs, 4 cor, 3 tr, 3 trb, bar, tb, 3 perc
duration: 10’
text: Edith Södergran
for symphony orchestra and mixed choir
3 fl, 2 ob, cor.ing, 3 cl, b cl, 2 fg, k.fg, 4 cor, 3 tr, 3 trb, tb, 3 perc, cel, hp, str, choir SATB
duration: 5’
Orchestra with soloist(s)
concerto for natural horn and baroque orchestra (with orchestral natural horn obligato) (2020)
natural horn soloist, natural horn obligato, 2 traversos, baroque oboe (doubling baroque oboe d’amore), baroque oboe d’amore (doubling oboe da caccia), baroque bassoon, harpsichord, Roland C-30, percussion, strings (5.5.3.2.1, optionally 5.4.3.2.1)
duration 22’
version for natural horn and orchestra (with orchestral natural horn obligato) (2021)
natural horn soloist, natural horn obligato, flute, oboe, clarinet (in Bb), bassoon, horn (in F), harpsichord, Roland C-30, percussion, strings (5.5.3.2.1, optionally 5.4.3.2.1)
duration 22’
concerto for amplified cello and sinfonietta (2016)
amplified cello soloist, 2 flutes (2nd doubling piccolo), 2 oboes, clarinet (in Bb), bass clarinet (in Bb), bassoon, double bassoon, 2 horns (in F), piano/celesta, 2 percussion, strings (8.6.5.4.2)
duration 26’
version for amplified cello and symphony orchestra (2016)
amplified cello soloist, 2 flutes (2nd doubling piccolo), 2 oboes, clarinet (in Bb), bass clarinet (in Bb), bassoon, double bassoon, 2 horns (in F), piano/celesta, harp, 2 percussion, timpani, strings (12.10.8.6.4)
duration 26’
concerto for baritone saxophone and small chamber orchestra
baritone saxophone soloist, fl, ob, cl, hn, fg, 2 vln, vla, vc, cb
duration 18’
concerto for knifonium and baroque orchestra (2013)
knifonium soloist, 2 traversos (1st doubling picc. traverso), 2 baroque oboes (2nd doubling baroque oboe d’amore & oboe da caccia, baroque bassoon, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (3.3.2.2.1)
duration 27’30’’
version for knifonium and chamber orchestra (2015)
knifonium soloist, fl (doubling picc.), cl, ob, hn, fg, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (3.3.2.2.1)
duration 27’30’’
version for knifonium and sinfonietta (2016)
knifonium soloist, fl (doubling picc.), cl, ob, hn, fg, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (6.6.4.4.2)
duration 27’30’’
double concerto for violoncello, accordion and symphony orchestra
2 fl, 2 ob, cl, b.cl, fg, c.fg, 2 cor, tr, trb, tb, timp, 2 perc, cel/pno, hp, 2 soli, strings (12.10.8.6.4)
Big band
for big band
5 sax, 4 tr, 4 trb, keys, bass, dr
duration: 10’
version for Metropole Orchestra (2005)
2 fl, ob, hn, 5 sax, 4 tr, 4 trb, hp, 2 perc, e.gtr, keys, e.bass, dr, strings
duration: 9′
for big band: fl, cl/b.cl, s.sax, a.sax, t.sax, 2 tr, 2 trb, 2 vl, vla, cv, e.gtr, vibes, acc, d.bass, dr
duration 6’
for big band: fl, s.sax, a.sax, t.sax, b.sax, 4 tr (4th doubling flg), 4 trb, pno, d.bass, dr
for ensemble: vl, acc, gtr, lute, vcl, org, perc
duration: 6’
Choir/vocal ensemble
text: Aleksis Kivi
for male choir (TTBB)
version for mixed choir (SATB), 2018
duration: 4’
text: William Shakespeare
for male choir
duration: 5’
text: Saima Harmaja (from collection Sateen jälkeen, 1935)
for female vocal ensemble (a5)
duration: 7’30’’
for 4 voices (male or female)
duration: 2’
lyrics: Olli Virtaperko
illustrations: Joel Melasniemi
for 2-5 singers
duration 25′
text: Kirsi Kunnas
for female vocal ensemble (a5)
duration: 3’
text: Edith Södergran
for symphony orchestra and mixed choir
3 fl, 2 ob, cor.ing, 3 cl, b cl, 2 fg, k.fg, 4 cor, 3 tr, 3 trb, tb, 3 perc, cel, hp, str, choir SATB
duration: 5’
Chamber music (3-9 players)
for tenor saxophone, soprano recorder (doubling harpsichord), bass viol, chamber organ, archlute
version for concert accordion and Baroque cello (Dambra, 2023)
duration: 4’30
text: Catharina Östman
for 2 sopranos, mezzo-soprano, alto saxophone, bass viol, harpsichord, Roland C-30, archlute, tape
duration: 12’
2019
for guitar, concert kantele and harpsichord
duration 8’
for soprano, 3 viols (STB), jouhikko and prepared harpsichord (optional)
text: Mikael Agricola (1510-1557)
duration 8’
for soprano, flute, clarinet, violin, cello and piano/harmonium
duration 18’
for soprano, jouhikko, cello
duration: 4’
for flute, clarinet, bassoon, 2 violins, viola, cello, double bass
duration: 5’
for violin, cello, clarinet, piano
duration: 8’
for flute, oboe, clarinet, horn, bassoon
duration: 16’
for 3 trumpets, 4 cornos, tuba
duration: 2’
for mixed Baroque & folk ensemble
duration: 5’45’’
for mixed Baroque & folk ensemble
duration: 6’
Duo works
for soprano and baritone saxophone
duration: 4’
for english horn and violoncello
duration: 4’
for alto saxophone and concert accordion
duration: 12’
for decachord and concert kantele
duration: 10’
for two clarinets
duration: 10’
for alto saxophone and piano
duration: 12’
for concert accordion and concert kantele
duration: 8’
Solo works
for cello
duration: 12’
for harpsichord (in meantone temperament)
duration 8’
for baritone saxophone
duration: 4’30’’
for organ
duration 4’
for concert accordion
duration: 8’
for guitar
duration: 4’
for cello
duration: 10’
for Roland V-accordion and tape
duration: 5’
for cello (or Baroque cello)
duration: 4’
for piano
duration: 8’
for 3-manual organ
duration: 15’
for alto saxophone or oboe
duration 2’
for oboe
duration: 3’30’’
for concert accordion
duration: 3’30
for concert kantele
duration: 9’
for concert accordion
duration: 5’45
for cello
duration: 4’
for guitar
duration: 7’
for piano
duration: 3’30’’
for cello (or Baroque cello)
duration: 2’30’’
for 3-manual large baroque organ (with two assistants)
duration: 11’
for harpsichord
duration: 5’
Early music instruments
concerto for natural horn and baroque orchestra (with orchestral natural horn obligato) (2020)
natural horn soloist, natural horn obligato, 2 traversos, baroque oboe (doubling baroque oboe d’amore), baroque oboe d’amore (doubling oboe da caccia), baroque bassoon, harpsichord, Roland C-30, percussion, strings (5.5.3.2.1, optionally 5.4.3.2.1)
duration 22’
version for natural horn and orchestra (with orchestral natural horn obligato) (2021)
natural horn soloist, natural horn obligato, flute, oboe, clarinet (in Bb), bassoon, horn (in F), harpsichord, Roland C-30, percussion, strings (5.5.3.2.1, optionally 5.4.3.2.1)
duration 22’
for soprano, 3 viols (STB), jouhikko and prepared harpsichord (optional)
text: Mikael Agricola (1510-1557)
duration 8’
concerto for knifonium and baroque orchestra (2013)
knifonium soloist, 2 traversos (1st doubling picc. traverso), 2 baroque oboes (2nd doubling baroque oboe d’amore & oboe da caccia, baroque bassoon, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (3.3.2.2.1)
duration 27’30’’
version for knifonium and chamber orchestra (2015)
knifonium soloist, fl (doubling picc.), cl, ob, hn, fg, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (3.3.2.2.1)
duration 27’30’’
version for knifonium and sinfonietta (2016)
knifonium soloist, fl (doubling picc.), cl, ob, hn, fg, harpsichord (doubling chamber organ and celesta; alternatively Roland C-30), percussion, strings (6.6.4.4.2)
duration 27’30’’
for harpsichord (in meantone temperament)
duration 8’
for Renaissance recorder quartet
duration 14’
for viol consort a5 (+ optional organ part)
duration 6’
for treble viol
version for two Baroque violins (2018)
version for two bass viols (with optional chamber organ) (2018)
duration 10’-12′
for treble viol (2014/2015)
arrangement of the 2nd movement Ananiaan valitus for orgenetto (2018)
duration 10′-12′
for tenor recorder (in D), bass viol and harpsichord
duration: 10’
for treble viol
duration 15’
for bass viol
version for harpsichord/organ (in meantone temperament) (2014/2019)
duration: 6’30
for viol consort (3 trebles, 1 tenor, 2 bass viols)
duration: 4’30
for baroque cello and harpsichord
other versions:
for bass viol and harpsichord (2012)
for viol consort (a3) with harpsichord (2016)
for solo harpsichord (2017)
duration: 4’
2011for 2 bass viols
duration: 12’
for Baroque cello and harpsichord
duration: 6’
for harpsichord
duration: 5’